BRONZES

SKULLS

BELLIES

PORTRAITS

PRINTS

Many of my clay sculptures remain unfired. Their fragility embodies the transience of life and the mortality of humans, a primary reason for making portraits. I have from time to time cast small clay sculptures in bronze, paradoxically making these meditations on transience more permanent. In 2014, and again in 2016, I had the opportunity to upscale some of the small clay sculptures and to cast them in bronze for outdoor exhibition.

'I sculpt because I am curious to know why I fail', 33 x 57 x 33 cm (front), Elbowed 52 x 63 x 45 cm
(back left) and Heart Head 83 x 100 x 68 cm (back right) installed at Nirox Sculpture Park, 2014.

'Kin' 2016, bronze, 82 x 90 x 110 cm

'Intimations of continuity', 2014, bronze, Left to right: 14 x 13.5 x 17 cm |16 x 11 x 14.5 cm |11 x 9.5 x 10 cm | 7 x 7 x 11 cm

'Intimations of continuity', 2014, bronze, 14 x 13.5 x 17 cm

'Intimations of continuity', 2014, bronze, 7 x 7 x 11 cm

'Facet', 2014, bronze, 14 x 14 x 16 cm

'Ditchley', 2006, bronze, 12 x 14 x 20 cm

'Pyro II', 2004, bronze, 11 x 13 x 2 cm

'Nasci', 2006, bronze, 10 x 12 x 13 cm

'Pyro I', 2004, bronze, 14 x 13 x 2.5 cm

'I sculpt because I am curious to know why I fail', 33 x 57 x 33 cm (front), Elbowed 52 x 63 x 45 cm
(back left) and Heart Head 83 x 100 x 68 cm (back right) installed at Nirox Sculpture Park, 2014.

'Kin' 2016, bronze, 82 x 90 x 110 cm

'Intimations of continuity', 2014, bronze, Left to right: 14 x 13.5 x 17 cm |16 x 11 x 14.5 cm |11 x 9.5 x 10 cm | 7 x 7 x 11 cm

'Intimations of continuity', 2014, bronze, 14 x 13.5 x 17 cm

'Intimations of continuity', 2014, bronze, 7 x 7 x 11 cm